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M. KNOEDLER&Co., | 


15, Old Bond St., 


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EXECUTOR'S SALE. 
The Ashmead Collection 


pOF 


Chinese Porcelains, Laces 
and Paintings. 


MONDAY and TUESDAY, 
March 10th and 11th, at 2.30 P. M., each day, 


IN OUR ART GALLERIES, 
1519-21 CHESTNUT STREET, PHILADELPHIA, PA. 


ON EXHIBITION 


Thursday, Friday and Saturday, 
March 6, 7 and 8, 1919, from 9 A. M. until 5 P. M. 


By order of The Philadelphia Trust Co., Executor. 


UNDER THE MANAGEMENT OF 


SAMUEL T. FREEMAN & CO. 


1519-21 CHESTNUT STREET, 
PHILADELPHIA, PA. 


1919. 


PREFACE. 


Henry B. Ashmead, who was for years the head of the well-known 
printing house of that name, on his many trips abroad, purchased most 
of the Paintings in his collection, many of them direct from the artists. 

Almost all of his collection of Chinese porcelains was also purchased 
abroad and it was during these trips that his wife collected the laces, which 
are being offered in this sale. 

All of the collection was purchased a number of years ago, as Mr. 
Ashmead died in 1904, although the collection was not put on the market 
until after the more recent death of Mrs. Ashmead. 

The Ceramics and Laces are unusually fine and the Paintings among 
the very few that have come on the Philadelphia market recently which 
are worthy of a collector’s attention.. 


TERMS OF SALE FOR PERSONAL PROPERTY. 
SPECIAL NOTICE—Nono employee is authorized to alter these terms. 


1 The highest bidder to be the buyer, subject to the terms of sale, and if any dispute 
arises between two or more bidders, the Auctioneers shall either decide the same or the - 
lot so in dispute shall be immediately put up again and re-sold. 

_ 2 Any bid which is merely a nominal or fractional advance may be rejected by the Auo- 
tioneer if in his judgment such bid would be likely to affect the sale injuriously. od 

3 Every article sold singly; nothing sold by the pair. , 

4 Purchasers to give names and addresses, and to make a deposit of 25 per cent., or as 
much as the Auctioneers may requirein part payment, or the whole of the purchase money 
if apie te i in default of which the lot or lots so purchased to be mmediately put up again 
and re-sold. 

5 All deposits made are applicable to any or all purchases either at this sale or at any 
previous sale. 

6 The lots to be taken away and paid for at the buyer’s risk and expense within the time 
announced by the Auctioneer, the Auctioneers not being responsible for the correct de- 
scription, genuineness, authenticity or defect in any lot, and making no warranty unless 
specially mentioned at the time of sale. No sale will be set aside nor allowance made on 
account of any incorrectness, error in cataloguing, or any imperfection not noted. No de- 
duction on damaged articles, all goods are exposed for public exhibition, and sold just as 
they are. Purchases will be delivered only upon presentation of receipted bill therefor. 

7 To prevent inaccuracy in delivery and inconvenience in settlement of the purchases, 
no lot can on any account be removed during the sale; and the remainder of the purchase 
money must absolutely be paid within the time announced by the Auctioneer and before 
the examination or removal of the goods. 

8 The time allowed for payment of bills and removal of goods is either printed in the 
catalogue or announced by the Auctioneer and can always be obtained from the office of 
the Auctioneers. It is the duty of all purchasers to inform themselves thereof and no re- 
sponsibility shall rest upon the Auctioneer by reason of the purchaser’s ignorance thereof. 

9 All purchases made at this sale are at the purchaser’s risk as soon as they are struck 
off; the Auctioneers not being responsible if all or any part of such purchases be lost, stolen, 
damaged or destroyed; however, without assuming any responsibility the Auctioneers 
will take all usual precautions for the care and protection of the goods during the time 
allowed for the removal thereof. 

10 All claims must be made before the removal of the goods. © 

11 In case of purchases for which settlement is required by estimated or actual weights, 
counts or measures, no adjustments will be made after the time allowed by the Auction- 
eers for the removal of the purchases. 

12 The record kept by the clerk of the sale, together with the marked catalogue of the 
Auctioneers, shall in all cases be accepted by the buyers as final when any question arises 

13 In addition to any other remedies given by law to the seller, it is agreed that in case 
of failure by the purchasers to comply with these terms, the money deposited in part pay 
ment shall be forfeited; all lots not paid for and removed within the time allowed by the 
Auctioneers shall be re-sold at public or private sale without further notice, and the de- 
ficiency (if any) attending such re-sale shall be made good by the purchasers at this sale, 
together with all charges and expenses which may be incurred by reason of their failure 
to comply with the terms of sale. ; : 

14 The Auctioneers will not be liable for non-delivery of any article above the amount 
paid by the purchaser of such article. 

15 Commissions to purchase will be executed by the Auctioneers without charge, such 
purchases, however, being made subject to the terms of sale. 

16 In case of lots upon which there is a reserve, the Auctioneers shall have the right to 
pid on behalf of the seller. 

17 All sales made by order of the Court are subject to the confirmation of the Court 
ordering the sale. ; 

18 The Auctioneers reserve the right to reject any or all bids. 

19 The Auctioneers are in no manner connected wth the business of the cartage or pack- 
ng and shipping of purchases, and although they will afford to purchasers every facility 
for employing careful carriers and packers, they will not hold themselves responsible for 
the acts or charges of the parties engaged for such services. 


jibe 


FOR INHERITANCE TAX 


AND OTHER PURPOSES 


* SAMUEL T. FREEMAN & CO. 


ARE EXCEPTIONALLY WELL EQUIPPED 
TO FURNISH 


INTELLIGENT APPRAISEMENTS 


OF 


ART AND LITERARY PROPERTY 
JEWELS AND PERSONAL EFFECTS 
OF EVERY DESCRIPTION 


IN CASES WHERE 


PUBLIC SALES ARE EFFECTED 


A NOMINAL CHARGE ONLY WILL BE MADE 


SAMUEL T. FREEMAN & CO. 


FIRST AFTERNOON’S SALE, 


MONDAY, MARCH 10, 1919, at 2.30 O’CLOCK, 
CONSISTING OF 
European Porcelains, 
Chinese Porcelains, 
Lacquers and Ivories, 
Jades and Crystals, 


Bronzes and Miniatures. 


eb 


First Afternoon 


COPELAND CUP AND SAUCER. 
Egg Shell Fabric, Jeweled Persian Lambrequin Decorations. 


ROYAL VIENNA BOTTLE. 
Square Body, Painted with Classical Figure Subjects. 


SEVRES COFFEE CAN AND SAUCER. 
Minute Floral Scroll; with Butterfly. 

Incised Mark Under Glaze. 
OLD SAXE CUPS AND SAUCERS. 


Fluted Patterns, with Rustic Twist Handles, Feet, and Minute 


Floral Designs in Relief on Each Piece. 
Two Pieces. 


OLD MEISSEN CUP AND SAUCER. 
Small Round Bowl Shape. 


OLD SPODE CREAM PITCHER. 


Broad Mouth, Squatty Height, Band Painting with Panels of 
Pheasants. : 


VIENNA TEA POT. 
Oval Form, Straight Sides, Cabinet Specimen. 


BERLIN COMPOTE. 


With Nest Tray and Cover, Royal Blue, with White Borders and 
Floral Wreaths. 


DRESDEN CUP AND SAUCER. 
Bell Shape, with Fishing and Landscape Subjects in Reserves. 


OVAL COMPOTE. 


Berlin Porcelain, Footed Base, Caryatid Handles, Relief Group of 
Neptune, Cupids and Dolphins, and Small Bachannalean Mask. 
Painted with Floral and Insect Subjects. 


CAPO-DE-MONTE COVERED CUP AND SAUCER. 


With Cover Surmounted by Cupid. Mythological Scenes, Rich 
Coral Red Handles. 


First Afternoon 


12 


13 


20 


21 


22 


CAPO-DE-MONTE COVERED CUP AND SAUCER. 


Same Size and Form, with Chariot Scenes for Subjects. 


CAPO-DE-MONTE DISH. 


Large Round Form, with Deep Sides. Mythological Subject, and 
Floral Festoons with Flying Cupids. 


SMALL COMPOTE. 


Round Form, with Three Sees Fi igures, with Spreading Claw 
Feet, Masks, &c. 


SPODE CUP AND SAUCER. 


Copeland Ware. Egg Shell Porcelain, with Lambrequin Designs in 
Jeweled Enamels. 


BISQUE FLOWER BASKET. : 
Beautiful Specimen of Delicate Relief Work. 


CREAM JUG. . 
Royal Worcester Reticulated Ware. Raised Enamels and Gold. 


SMALL JARDINIERE. 
Yellow Faience, with Carved Groups of Cupids. 


VENETIAN GLASS VASE. 


Blue Ground, Covered with Minute Floral Patterns in Laid Enamels 
and Gold. 


CHINESE PORCELAIN JAR. 
Ovoid, with Small Neck. Dark Blue, with White Hawthorne 


Blossoms. 


CHINESE TEA BOWL. 


Scalloped Edge, with Corrugated Sides. Deep Red Body, with 
Six Small Medallions. Border Inside, and Emblems in Blue. 


Ching-hwa. 
BOTTLE. 


Ovoid Form. White Ground, with Two Figures of Damio, Palm 
Tree, &c., Silver Mounted Top. Unknown Mark. 


~ 


23 


24 


25 


26 


27 


28 


29 


30 


3] 


32 


33 


First Afternoon 


OBLONG LIBATION CUP. 
Broad Spreading Top. Carved with Figure of a Deer, and Two 
Dragons, &c. 


BOTTLE VASE. 
Long Narrow Neck, Deep Blue Mirror Glaze. 


TEA BOWL. 
Egg Shell Porcelain. Broad Curving Lip, Decorated with Land- 


scape and Birds. 
Kang-he. 


SHALLOW DISH. 

Semi-Egg Shell. Sprigs, with Red Berries, Butterflies, &c. 
Tching-Hoa. 

CHINESE DEEP BOWL. 

Flattened Edge, Decorated with Five Gold Fish. Hall Mark. 


TEA BOWL AND COVER. 
Egg Shell Porcelain. Exquisite Diaper Patterns in Artistic Arrange- 
ment with Tray. 


SMALL VASE. 
Bottle Shape. Birds and Flowers in Raised Enamels. 


SMALL VASE. 
Bottle Shape, Rich Green Crackle. 


TALL VASE. 
Lotus Landscape, with Crane on Grayish White Ground. Short 
Flaring Neck. 


LARGE JAR. 
Globular Form. Old Giant Crackle. 


TALL VASE. — 
Ovoid, Narrow Base, Low Flaring Neck. Flowers and Leaves in 
Running Scroll Forms in Blue, on Yellow Ground. 


First Afternoon 


34 


= 


36 


37 


38 


39 


40 


I 


42 


43 


SMALL VASE. 
Thick Flaring Neck on Low Body. Powder Blue. 


TALL BOTTLE VASE. 


Ovoid Body, with Narrow Neck and Cup Shape Top. Lotus 
Flowers and Scrolls in Red Modeled in Relief, with Borders, Neck of 
Leaf Points, &c. White Body. 


TEA BOWL. 


Broad Flaring Sides, Decorated with Four Fish in Red and Gold. 
Circular Show Mark. 


SAUCER. 


Deep Sides. Decorated with Vase of Flowers and Emblem, &c., and 
Outside Figures of Flying Bats in Red. 


SMALL VASE. 


Long Narrow Neck, with Flaring Top. Brown and Green Ground 
Tea Leaf Glaze. 


ROSE JAR. 


Soft White Body, with Prune Tree in Blossom, and Pine Tree. 
Three Colors—Purple, Red and Green. With Decorated Cover: 


TEA BOWL. 


Deep Bell Shape. Semi-Egg Shell Porcelain. Decorated with 
Four Groups of Emblems—Fish, Shell, Lantern, &c., in Brilliant 
Enamels. 


BOTTLE VASE. 
Straight Narrow Neck. Sang-de-Boeuf. 


BOTTLE. 
Square Body. Celadon and Reddish Brown Splash. (Rim Dam- 
aged.) 


TALL POWDER BLUE VASE. 


Oviform, with Prominent Shoulder and Slender Flaring Neck. 
Sacred Landscape Penciled in Gold, Showing Abodes in the Moun- 


tainous Country, with River Scenes, Pagodas, &c. 


Kien-lung. 


First Afternoon 


44 


45 


46 


47 


48 


49 


50 


5| 


52 


TALL BOTTLE VASE. 


Ovoid Form, with Narrow Base, Broad Shoulders and Short Neck. 
Fine Lemon Yellow Crackle. 


LARGE BOWL. 


Globular Shape, Crude Soft White Glaze, with Plum Tree Branches 
and Blossoms Dropping from Top Edge. 


LARGE HAWTHORNE GINGER JAR. 


Blue and White Decoration in Form of Branches, with the Prune 
Blossoms in White Reserves Upon a Deep and Brilliant Blue Clouded 
Ground. With Pierced Teakwood Cover. 


LARGE PILGRIM BOTTLE. 


Strap Handles from Shoulders to Neck, with Ornaments. Rich, 
Red Mottled Glaze Starting from the Neck in Light, Transparent 
Tints, and Melting into Various Shades of That Color. 


TEA BOWL. 
Semi-Egg Shell, Bluish White, with Two Figures of Dragons with 
Five Claws. 


VASE. 


Flattened Bottle Shape, with Corrugations on Corners. Narrow 
Spreading Neck, with Small Flat Dragon Handles. Blue-grey 
Glaze. 


LARGE VASE. 


! 


Yung-Ching. 


Kien-Lung. 


Ovoid Form, with Straight Neck. Emblems, Floral Panels, &c., se 


in Blue on White Reserves in Two Tiers. Fine Old Specimen. 


TALL VASE. 


Ovoid, with Rounded Neck and Flaring Top. Fine Powder Blue, 
with Gold Pencilings of Chrysanthemums, Scroll work, &c., and 
Show Marks. 

Taou-Kwang. 
BOTTLE VASE. 


Ovoid Form, with Elongated Narrow Neck. Greenish Tea Leaf 


Glaze. 
Kien-Lung Period. 


First Afternoon. 


————___—_ 


53 


34 


55 


56 


57 


58 


59 


60 


6] 


LARGE BOTTLE VASE. 


Ovoid, with Long, Narrow Neck and Flaring Top. Single Color, 
Starting at the Neck, with Mottling and Graduating to Deep Shades 
of Old Rose. Fine Quality Glaze. 


BOTTLE VASE. 
Gourd Shape. Decorated with Arrow-like Designs and Diaper 
Patterns in Red, Black and Lustrous Green Enamels. 


TEA BOWL. . 

Deep, with Flared Lip. Two Dragons, One in Red, the Other Green. 
Two Phoenix Amid Clouds, Floral Emblems, &c. Figure of Dragon 
in Red Inside. 


SMALL BOWL. : 
Fine Green Fish Roe Crackle. Mandarin Mark Inside. 


TEA BOWL. 
Deep Form. Fine Deep Shade of Red, with Species of Flowers and 
Foliage in Brilliantly Colored and Raised Enamels. 


Yung-Ching. 
CYLINDER VASE. 


Brilliant Red Smooth Body, with Splendidly Painted Figures of 
Orchids and Foliage in Scroll Patterns. Robin’s Egg Blue Inside. 


Taou-kwang. 


LARGE VASE. 

Short Globular Body, with Broad Cylindrical Neck. Landscape 
Scenes on Body in Raised Enamels. Various Bands on Body and 
Neck of Diaper Patterns, Lambrequin Effects, Joii Heads, &c., and 
Raised Rings Around Top and Bottom. Rich in Colorings. 


Mandarin Seal Mark. 
BOTTLE VASE. 


Graceful Ovoid Shape, with Long Neck, Decorated with Brilliant 
Peony Blossoms and Sprig in Raised Enamels. 


LARGE VASE. 

Oviform, with Narrowing Flaring Neck. An Elaborate Landscape 
Scene, with Several Figures of Men, Women and Animals in Gor- 
geous Array, and in Near Full View. On the Neck a Band of Leaf 


Points. 


62 


63 


64 


65 


66 


67 


68 


69 


First Afternoon 


LARGE BOTTLE VASE. 


Long Narrow Neck of Bamboo Wood Pattern. Beautiful Plum 
Bloom Glaze. 


SMALL CABINET VASE. 
Eliptical Shape. Fine Crackle, Soft Apple Green Glaze. 


TALL CHINESE VASE. 


Oviform Bottle Shape, with Short Neck. Landscape Panels, with 
Many Figures in the Foreground Finely Executed in Colored 
Enamels, and Having a Border of Conventional Designs in Blue. 
The Field is Covered with Floral Diaper, Insects, &c. 


LARGE CHINESE JAR. 


Ovoid Form, with Short Neck. Light Green Glaze, with Numerous 
Figures of Butterflies Amid a Landscape of Brilliant Flowers, Fruits 
and Melon Vines, with Incised Outline. The Interior is Covered 
with a Light Blue Glaze. 

Kea-King. 


LARGE CHINESE PLACQUE. 


Round Shape. The Sacred Deer, Basket of Fruit, Kakemona 
Scrolls and Floral Groups, in Colored Enamels on Ground of White. 
Deep Lambrequin Border on Rim. | 


ANOTHER. 
Damaged. 


LARGE VASE. 


Ovoid, with Flaring Neck. Very Fine Crackle Under a Glaze of 
Mottled Turquoise, and Hues of Deep Blue, Extending Inside to 
the Shoulder. Incised Rings Around Shoulder and Base. 


LARGE BOTTLE VASE. 


Long Narrow Neck, Broad Globular Body. An Open Kakemona 
Showing Landscape, with Pine Tree and Figure of a Man Jubilant 
atthe Sight of Large Frog. Another Panel Shows a Landscape 
with a Man Carrying a Branch of Fruit. Brilliant Enamels Under 
a Transparent White Glaze. 


First Afternoon 


70 LARGE BOTTLE VASE. 


7| 


72 


73 


74 


75 


Broad Shoulder, with Small Neck, Narrow and Slightly Flaring Base. 
Coral Red of Fine Quality. 


VERY LARGE VASE. 
Ovoid Body, with Narrow Base, Short, Straight Neck. A Five- . 
clawed Dragon with Ball Flying in Clouds Over the Sea. The 
Dragon is Painted in Red, the Clouds in Deep Blue, and the Waves 
in Lighter Blue Over a-Ground of White. Double Lines of Blue 
Rings Around Neck. | . 


TALL COVERED VASE. 

Ovoid Shape, with Narrow Base and Slightly Tapering Neck. 
Beautiful Rose Madder, with Painted Reserves. One with Two 
Fowls in a Landscape, Another, Floral Scrolls and Scattered Over 
the Surface Chrysanthemum Flowers. Beautifully Executed in 
Raised Enamels. 


LARGE BOWL. 
Deep Bell Shape. Bands of Gold Pencillings Over a Solid Red 
Ground, with Phoenix in Medallions, &c. Inside Decorated with 
Fish Swimming in Water, &c. In the Bottom a Dragon in Blue 
on White Ground. 

Taou-kwang. 


VASE. 

Low Globular Body, with Long Tapering Neck. Floral Specimens 
in Raised Scroll Patterns Under the Glaze and Colored in Brilliant 
Enamels. Borders of Joii Heads and Wall of Troy, with Lotus 
Points Rising About the Neck. 


PAIR LARGE JARS. 

Blue and White. Decorated with Many Temple and Household 
Emblems, Flowers, Fruit, &c., Boldly Drawn and Colored in Various 
Hues of Blue Tints. Over the Shoulder a Narrow Border of Wall 
of Troy Pattern. Show Marks Appear on Different Objects and 
Double Line Marks at Base and Beneath Pierced Teakwood Covers. 


First Afternoon 


76 


77 


78 


aie 


80 


8] 


82 


LARGE’ BEAKER VASE. 


Tall Broad Flaring Top, Dragons Playing with Ball, and Cloud 
Effects Over Body, and on Neck Dragon and Fish in Waves. Nar- 
row Borders and Ring Marks. Decorated in Blue Under White 
Glaze. 


LARGE BOTTLE VASE. 
Thick Ovoid Body, with Long Neck. Orange Peel Surface of Rich 


Deep Blue, Leaving the Top White and Meeting the Inside Glaze 
of White. 


CELADON HANGING VASE. 
Hexagonal Sides, with Broad Body, Narrow Base and Tall Tapering 
Neck. Small Cylindrical Guide Handles for Cord, and Pierced 
Eyes in Base. Around the Turn of the Body a Moulded Cord Like 
Band. Glazed Inside. 

Yong-Ching. 
TALL VASE. 
Ovoid Jar Shape, with Semi-sharp Shoulder and Short, Slightly 
Flaring Neck. Fine Rich Quality of Brown Mottled Over Turquoise 
and Covering Inside of the Neck. Improvised Handles of Flat 


Vase Like Figures. 
Kien-Lung. 


LARGE WHITE VASE. 


Ovoid, with Graceful Slightly Flaring Neck. Relief Decorations 
of Flowers, Scroll Patterns and Borders. 


TALL BEAKER VASE. 
Broad, Flaring Top, Flat Band Around Body. Fine Quality of 
Mirror Glaze. 

Kien-Lung. 
PAIR PORCELAIN STOOLS. 


Barrel Shape, with Round Finger Holds in Sides and Pierced Mark 
in Top. Decorated with Many Figures of Richly Gowned Men 
and Women in Landscapes of Outlined Panels. Scattered Floral 
Designs and Borders with Gold ‘Nail Heads,’ Relief Dog Heads, 
&c. With Carved Wood Stands. 

2 


First Afternoon 


83 


84 


85 


103 


LARGE CYLINDRICAL JAR. | 
Light Powder Blue Mottling, Leaving the Rim and Base White. 


LARGE VASE. 


Ovoid Body, with Narrowing Neck, Turned Scalloped Edge, Lizard 
Handles. Powder Blue, with Relief Decorations of Flowers, Butter- 
flies, Storks, and Emblems in White. 


LARGE JAR. 


Globular Shape, with Low Neck and Cover. Decorated with Two 
Five-clawed Dragons Playing with Ball, Deep Band in Shoulder, 
with Emblems and Border of Joii Heads. Painted in Green Enamel 


on White Ground. 
Kien-Lung. 


SMALL CURIOS AND CABINET ORNAMENTS. 


Miniature Egg Shell Porcelain Rose Jar. 

Small Rose Bottles, Minute Decorations, 2 Pieces. 

Miniature Mirror Glaze Bottle Vases, 2 Pieces. 

Carved Pearl Card Case. 

Leather Embossed Pocket Case. 

Chinese Silk Embroidered Pocket Case. 

Filigree Silver Card Case. 

Small Round Box and Rose Bottle, Hall Marked, 2 Pieces. 

Miniature Bottle Vases, Mirror Black and Blue, 2 Pieces. 

Cabinet Vases, Lemon Yellow and Bronze Green Fish Roe Crackle. 

Miniature Vases, Flat and Round, 2 Pieces. 

Small Enameled Banko Incense Burner. 

Twin Vase, Red and Blue Dragon Decorations. 

Fish Roe Blue Gourd Vase, and Twin Vase, with Yellow and Green 

Mottling, 2 Pieces. 

Pair Minute Satsuma Vases, Cylindrical Shape, with Decorations 

of a Hundred Children and Wise Men. 

Miniature Satsuma Bottle Vase, Very Narrow Foot Base, Broad - 

Globular Top Figure and Scene Panels and Fine Diaper Work. 
Gold Seal Mark. 

Satsuma Figure—Wise Man, Robed in Celestial Costume. 

Wine Pot, Stiff Yoke Handle Red with White Painted Reserves. 


104 


105 


106 


107 


108 
109 
110 
111 


112 


113 


First Afternoon 


Red Earthen Square Box, with Lid and Handles, Elaborate Carved 
in Relief. 


ANCIENT COUPE. 


Oblong Broad Flaring Top, Footed Base. Pale Blue, with Borders 
of Incised Floral Diaper, Deep Band Around Body of Landscape. 
The Figure of a Bat, in Red Overhangs the Edge of One End Under 
Which are Two Large Raised Marks in Coral Red. 


An Old and Interesting Piece. 


PLUM BLOOM CABINET VASE. 


Ovoid Bottle Form, with Narrow Base and Short Neck. Beautiful 
Quality of Glaze Starting from the Neck Which is Greenish Crackle. 


SMALL TEA BOWL. 


Deep Bell Shape, Sang-de-Boeuf of Fine Quality, the Edge and 
Inside White. 
Yung-Ching. 


Deep Cup, Two Five-Clawed Dragons in Red on White Ground. 
Tung-che. 


Deep Cup, Egg Shell Porcelain. Landscape with Figures of Men 
and Bats, and Scattered Objects Inside, Colored Enamels. Seal 
Mark. 


GLOBULAR VASE. 


Fine White Egg Shell, with Four Groups of Flowers in Penciled 
Outline Around Sides. Four Character Hall Marks. 


Small White Egg Shell Cup, Flattened Rim, with Fine Leaf Tooth 
Edge. Also Two Small Deep Corrugated Trays, 3 Pieces. 


Small Egg Shell Cup, Floral Decorations in Red and Green, with 
Gold Show Marks, Fruit and Bat Inside. 


ee CUP. 


Semi-Egg Shell, Bell Shape. Decorated in Blue, with Pagodas, 
Houses and Chinese Wall. Four Double Blue Ring Marks Besides 
Hall Mark. Landscape Inside. . 

Ching-hwa. 


First Afternoon 


114 


115 


116 


117 


118 


119 


120 


12] 


122 
123 
124 
125 


126 
127 


128 


CUP AND SAUCER. 

Egg Shell. Profusely Decorated with Minute Figures, Garden and 
Household Scenes and Borders, in Fine Enamel Colors and Gold. 
CUP AND SAUCER. 

Egg Shell. Minute Figure Decorations on Oval Reserves Over a 
Ground Work of Gold Diaper, with Butterflies, &c. 

CUP AND SAUCER. 


Egg Shell. Decorations of River Scenes, with Wild Geese and 
Pheasants, and Plants in Bloom. 


Cylindrical Box, Mythological Figures and Landscape, Brilliant 
Enamels. 


Small Round Ring-top Box, Carved Arabesques and Blue Enamels 
Over Brown. 


Miniature Silver Box, Form of Deep Oval Basket, with Hinged 
Lid and Ring Handles, Repousse Arabesques. Hall Mark. 


MINIATURE ENAMEL CHALICE. 


Beautiful Classic Dancing Figure in Panel, and Finely Executed 
Arabesques. Translucent Enamel Over Silver, with Ivory White 
Detail. 


Large Silver Mug and Small Cylindrical Vase, Finely Chased and 
Gilt Lined, 2 Pieces. 

Large Silver Gilt Engraved Vase. 

Small Tea Pot, Form of a Roman Lamp, English Silver. 

Miniature Tripod Tea Pot, Heavy Chased Japanese Bronze. 


Lady’s Umbrella Handle, Translucent Enamel, with Miniature 
Figure and Landscape. 
Lady’s Hand Bag, Fine Old Bead Tapestry Work. 


Large Carved Amber Cross. 


MINIATURE JEWEL CABINET. 


Fine Example of Old Chinese Gold Lacquer Work, Inlaid with 
Pearl, and Delicately Mounted with Silver. 


130 


131 


132 
133 


141 


142 


First Afternoon 


SMALL INCENSE BURNER. 


Melon Shape Corrugated Body of Gold Lacquer Beautifully Worked, 
with River Scenes, Floral Landscapes, Mosaic Gold and Jewels Over 


a Fine Body of Aventurine. The Top is Bronze, Cut Out in Form 
of Flowers, with Small Knob. | 


MINIATURE BRONZE LOBSTER. 
Perfectly Articulated. 


Pair Large Carved Pearl Nautilus Shells. 


LARGE CONCH SHELL. 


Most Artistically Carved with the Scene of a Bacchanalean Festival. 
Figures on a Chariot Drawn by Lions and Goats and Piloted by 
Dancing and Flying Cupids, Women Dancing and Carrying Baskets 
of Fruit, a Satyr Fondling a Goat, and Other Figures and Landscape, 


_ and Extending Over Nearly the Whole Surface of the Shell. 


Specimen of Sea Coral. 

Large Meerschaum Cigar Tube, with Group—Mazeppa. 
Small Carved Meerschaum Cigar Tube. 

Tortoise Shell Model of Rickasha. 

Carved Tortoise Shell Paper Knife. 

Fancy Woven Straw Pocket Case, Made by a Galley Slave. 


OSTRICH EGG. 


Decorated in Relief with Many Layers of Poweered Gold Lacquer. 
Landscape, with Giant Lotus, Trees, Grasses and Storks. 


ANOTHER. 
Decorated with Pheasants. Slightly Smaller. 


GOLD LACQUER INRO. 

Mountain Landscape and Torrent, with the Sacred Pheasant or 
Ho-ho Bird Perched Under a Pine Tree Near the Stream, and on the 
Reverse Side a Hen and Chick. The High Reliefs are Worked in 
Many Layers of Polished Powdered Gold, and Mosaic Inlay, with 
Slight Color Tints and Silver Relief. Five Compartments, Lined 
with Aventurine and Powdered Gold. 


‘ 


First Afternoon 


143 


144 


145 


146 


147 


148 


149 


150 


15] 


152 


153 


154 


155 


IVORY NETSUKE. 
Form of a Rounded Box or Button. Deftly Carved Pierced Work 


to Represent a Dense Forest of Pine Trees. Choice and Rare. 


IVORY NETSUKE. 


Three Fishermen in a Boat. , 
Signed. 

IVORY NETSUKE. 

Melon on a Branch, with Snail on Top. 


SMALL CARVED IVORY. 


Figure of a Demon with Hammer. 


IVORY NETSUKE. 
Figure of Dog Foo. 


IVORY NETSUKE. 


Warrior on Horse Crossing a Bridge. 


Signed. 


CINNABAR LACQUER NETSUKE. 


Landscape, with Figure of a Man. Reverse Pine Tree and Land- 
scape, with Hotei and Moon in Silver and Gold. 


Small Carved Wood Figure of an Eagle on’a Pinnacle. Signed. 


Miniature Carved Ivory Group—Old Man and Fractious Boy. 


IVORY NETSUKE. 
Smiling Dog Foo. 


IVORY NETSUKE. » 


Priest on Horse and Man Kneeling. 
Signed. 


IVORY NETSUKE. 
Sacred Bull and Boy Attendant. 


IVORY NETSUKE. 


Three Boys and Cart. 
Signed. 


First Afternoon 


156 


157 


167 


168 


169 


170 


IVORY NETSUKE. 


Boy and Bear Sitting. . eae 
igned. 


IVORY NETSUKE. 
Rat with Bean Pod. 


Carved Wood Netsuke—Man and Boy. 
Cinnabar Lacquer Netsuke—Form of a Nut, Carved with Five 


Figures of Men, Pine Tree, &c. 

Carved Wood Netsuke—Duck. Signed. 

Carved Wood Netsuke—Sleeping Woman. Signed. 

Carved Wood Netsuke—Ball with Fish and Several Emblems. 


CARVED WOOD NETSUKE. 


Octopus and Bunch of Fish. | 
Signed. 


Carved Wood Netsukes—Tortoise and Snake, 2 Pieces. 
Ivory Encrusted Netsuke—Form of Nut and 2 Other Carved- Wood 


Pieces. 


Large Carved Coral Umbrella Handle and Beetle, 2 Pieces. 


SNUFF BOTTLES. 


PORCELAIN SNUF F BOTTLE. 

Numerous Red Dragons in the Sea of White Waves. Flattened 
Ovoid Shape, with Carved Rosette Top, Beautifully Carved in High 
Relief and Bears a Hall Mark. 


CARVED CAMEO GLASS SNUFF BOTTLE. 


Flattened Ovoid Form. Opaque White, with Figure of Lady at a 
Window, Tree Branches, Landscape with Figures in a Boat-Passing 
Under a Bridge. Improvised Handles of Dog Foo Heads and Rings. 

Green Relief on White. | 


SNUFF BOTTLE. 
Mottled and Wavy Agate. Thick Ovoid Form. 


LARGE SNUFF BOTTLE. 
Fine Yellowish Green Crackle. 


First Afternoon 


17] 


172 


173 


174 


175 


176 


177 


178 


179 


180 


FLAT SNUFF BOTTLE. 
Clouded Red Stone, Like Fossil Marble. Fine Bloodstone Stopper. 


PORCELAIN SNUFF BOTTLE. 


Flat Ovoid Body, Carved with River and Garden Scenes and Many 
Figures in Relief, and Colored in Bright Enamels. 
Seal Mark. 


JADE SNUFF BOTTLE. 
Fat Ovoid Form, Large Coral Top. 


IVORY UMBRELLA HANDLE. 
Carved with Figure of a Large Monkey. 


Carved Umbrella Handle—Frog. 


LARGE IVORY PIPE CASE. 
Representing Large Gathering of Persons Bringing Tribute Offerings 
of Various Objects. Finely Carved in Relief. 

Signed. 
IVORY PAPER KNIFE. 
Carved Figure of a Man Holding the Blade. Emblems in Thick 
Gold Lacquer. | 


LARGE IVORY CARVINGS. 


GROUP. 


Representing Two Men Fighting a Dragon. Old Smoky Ivory. 
Artistic. 3 : 


GROUP. 


Man Bearing a Basket of Fagots, Leaning on His Axe and Talking 
to Two Small Boys. Fine Character and Technique. 

Signed. 
GROUP. 


Figure of a Mandarin with Sword and Lighted Torch Standing on 
a Bank, While Beneath Bends the Figure of a Man Washing a Dish 
in the River. 


Signed. 


182 


183 


184 


185 


186 
187 


188 


First Afternoon 


LARGE IVORY CARVING. 
Upright Figure of a Woman Elaborately Gowned with Long Flowing 
Robes and Draperies, and Carrying a Plant with Long Stems. At 
Her Feet the Crouching Figure of a Monkey Garbed in Mandarin 
Robes. Carved from One Piece in Most Dexterous Fashion. 

Height, 8 Inches. 
IVORY CARVING. 
A Man’s Skull, with Snake, Toad and Snails Crawling Through and 
Over the Surface. 

Signed. 


FINE SPECIMEN OF CINNABAR LACQUER. 


LARGE SWEET-MEAT BOX AND COVER. 

Round Form, with Five Lobes and Corrugations, Flat Top, with 
Expansive Garden and Mountain Landscape, with Several Figures 
Gathering Fruit in the Foreground. The Sides are Exquisitely 
Carved Floral Surface, with Rama-like Panels on Each Lobe, with 
Fretwork Borders of Key Design of Joii Heads. Deeply Carved in 
Bold, and High Relief of Unusual Quality. 


Breadth, 111/2 Inches. 
CRYSTAL BALLS AND JADE CARVINGS. 


ROCK CRYSTAL BALL. 
Of Exceedingly Fine Purity. With Bronze Tripod Stand Rep- 
resenting Three Large Storks. 

Diameter, About 33/1 Inches. 


mR CRYSTAL BALL. 

Diameter, Nearly 21/1 Inches. 
ROCK CRYSTAL BALL. 

Diameter, | Inch. 

LARGE JADE COUPE. 
Form of a Lotus Flower, with Large Border of Lacy Stems and 
Blossoms Cut in Free Openwork Extending Around and Under the 
Cup Which is Cut to Extreme Thinness. Slight Oval Form. With 
Base Carved to Represent Pine Trees. 


Length, 7:'2 Inches at Widest Part, Depth, 2:'1 Inches. 


First Afternoon. 


189 


190 


19] 


192 


193 


LARGE JADE CARVING. 


Sailors Furling Sail on a Junk, with Many Figures in Various At- 
titudes and Employment. Cut from One Large Block of Grayish 


White Jade.- 
Length, 13 Inches. 


CHINESE TEMPLE VASES. 


PAIR VERY TALL CYLINDRICAL VASES. 


Lacquer on Porcelain, with Dragon in High Relief Encircling Each, 
and Raised Bands Top and Bottom. Covered with Conventional 
Designs in Panels of Raised Ornamentations in Gold Lacquer and 
Colors, Exquisitely Executed Diaper Patterns, &c. 


Height, 33's Feet, Diameter, | Foot. 


LARGE PORCELAIN TEMPLE JAR. 

Ovoid Shape, with Large Dome-like Cover Surmounted by an Eagle. 
Thick Shoulder with Low Neck, and Narrow at Base, Simulated 
Band Around Body. Large Figures of Eagle and Hawks, Pine Trees 
and Floral: Landscape, with Deep Lambrequin Border of Red and 


Gold Over Shoulder. 
Height, with Cover, 3 Feet. 


PAIR LARGE MEDALLION VASES. 


Ovoid Bodies, Narrowing Neck, with Broad Flaring Scalloped Top, 
Dog Foo Handles and Small Dragon Ornaments in Relief. Conven- 
tional Decorations in Panels of Garden, Theatre and Household 
Scenes, the Reds and Greens Prevailing Colors. 


Height, 32 Inches, Width of Top, 12 Inches. 


LARGE BEAKER VASE. 


Broad Flaring Top, Rounded Band Encircling Body Simulating the 
Covering Over of the Vase Design, Upon Which are Two Dragons 
in Blue, and Two Floral Pieces. ‘The Main Body is Carved in Relief 
Representing Mountain Landscape, with Peacock, Magnolia Trees, 
Bee and Blossoms. 


Height, 15:/2 Inches. Kang-he. 


194 


195 


196 


197 


198 


a 


200 


First Afternoon 


LARGE PORCELAIN VASE. 


Bottle Shape, with Long Neck, Bamboo Handles in Red. Large 
Figures of Dragons Flying in Clouds and the Waves, Green and Red 
Prevailing Colors. 


LARGE BOTTLE VASE. 


Globular Base, with Straight Neck. Incised Figures of Foo Dogs in 
Green Red and Blue Enamels Over a Surface of Yellow Marked 
with Dark Clouds of Bronze Color. 


TALL PORCELAIN VASE. 


Ovoid, with Narrowing Neck and Broad Flanged Top, with Raised 
Bands on Shoulder and Base. Painted in Red, Green and Black, 
with Landscape, a Mandarin and Two Spirited Horses, with the 
Sun Showing in the Clouds and Bats Flying. On the Neck a Land- 


scape, with Two Figures. 


LARGE JAR. 


Blue and White, Ovoid Shape, with Thick Top and Narrowing Foot, 
Low Straight Neck, Mountain Landscape and River Scenes, with 
Numerous Figures, Band of Emblems on Neck,*Period Ring Mark, 


Height, 21 Inches. 


re. 


MING JAR. 

Globular Shape, with Low Beveled Neck, Copper Glaze of Beautiful 
Quality, with Four Large White Reserves Around Sides, with Decora- 
tions of Peonies in Raised Enamels, and Eight Small Round Reserves 
Over and Beneath. Greenish Grey Glaze Inside. Choice Specimen. 
Has Pierced Carved Dragon Cover. 


LARGE PORCELAIN VASE. 

Broad Ovoid Form, with Thick Slightly Flaring Neck, Raised Band 
Around Shoulder, and Fish for Handles. Iron Rust Glaze, Running 
Downward Inside the Neck. Fine Early Period Piece. 


SHRINE. 

Ornamental Base, with Ribbon-like Festoons and Cut Lotus Designs 

Forming a Stem on a Broad Base of Conventional Borders, a Wheel- 

shaped Ornament or “Buddha’s Fan” Surmounting the Top. 
Kien-lung. 


First Afternoon 


201 


202 


203 


204 


205 


206 


LARGE BOTTLE VASE. 
Thick Ovoid Base to Sharp Shoulder, Tall Slightly Flaring Neck, 
with Small Flat Dragon Handles. Chocolate Brown Glaze, with 
Scroll Designs in Gold Pencilings, and Two Large Reserves Painted 
with Landscapes in Choice Colored Enamels. Light Blue Glaze In- 
side. 


LARGE POTTERY FIGURE. 


God of Longevity, Holding a Sacred Tortoise. Decorated in Colored 
Enamels and Gold. 


GINGER JAR AND COVER. 


Melon Shape, with Corrugated Sides. Decorations of Fruits and Iris 
Plants in Rare Colored Enamels, Deep Border of Diaper Pattern 
Around Neck, Interspersed with Chrysanthemum Rosettes, Green 
Fretwork Border Beneath. 


Kien-lung. 


Ming. 


BRONZES. 


LARGE BRONZE INCENSE BURNER. 


Globular Body, with Broad Low Neck Setting on a Separate Base, 
with Feet. Two Large Panels Handsomely Chased in High Relief, 
One of a High Priest Under a Pine Tree Standing by the Sea, Over 
Which Birds Are Flying, on the Other a Man and Woman Praising 
the Rising Sun. Conventional Relief Borders, Diaper Work Over 
Body, with Dragons, Clouds, &c., in Relief. On the Cover is a 
Large Group, with the God of Life and Dog Foo, Tree Root Seat, 


Peonies and Clouds. 


LARGE BRONZE VASE. 
Ovoid Shape, with Narrow Neck and Broadened Step Top. Finely 


Chased with Prominent Conventional Designs, Tall Loop Handles, 
Bandy Feet, &c. 


DAMASCENED VASE. 


Conical Form. An Unusually Fine Specimen of Gold and Silver 
Damascened in Bronze. Diaper and Fretwork in Many Most Minute 
Forms and Covering the Whole Surface, with Show Marks and Hall 
Mark. 


Height, 28 Inches. 


Height, 93's Inches. 


207 


208 
209 


210 
211 
212 
213 
214 


215 
216 
217 
218 


219 


First Afternoon 


LARGE BRONZE FIGURE. 


The Mother of Moses. By A. Carrier. 
Height, 22 Inches. 


BARYE BRONZES. 
FIGURE OF A HOUND. 
FIGURE OF A SETTER DOG. 


The above two items bear the Hall Marks and Artist’s Signature on 
the model. 


PAINTED MINIATURES AND PORCELAINS, ETC. 


ANTIQUE PORTRAIT OF A LADY. 
Finely Painted on Ivory. About 1800. 


PORTRAIT OF A FRENCH NOBLEWOMAN. 
Painted on Ivory by Dumont, 1795. 


CUT SHELL CAMEOS. 
Classical Head and Portrait. Two Pieces. 


ITALIAN STONE CARVING. 
Fisherman’s Boat and Crew. Cut in Relief. 


AGATE CUP AND SAUCER. 
Cup with Handle. Cut from One Piece. Red Variagated Veins. 


RICE GRAIN TEA BOWL AND COVER. 
Decorations of Bats, Joii Heads and Show Marks. 


Marriage Cup and Rose Bottle, 2 Pieces. 
Egg Shell Marriage Cups, 2 Pieces. 


OLD WEDGWOOD MINIATURES. 


Fine Specimens of Blue and White Fabric, with Minute Flaxman 
Designs. Two Pieces—Candlestick and Flower Pot, with Tray. 


Rare Soft Paste Cup, 2 Handles, and Purple Lustre Decorations. 


First Afternoon ~ 


220 


221% 


222 


223 


224 


225 
226 
227 
228 
229 
230 


231 


232 


233 


CHINESE PORCELAIN BOWL. 


White Semi-Egg Shell. Floral Scroll Design, Carved Under the 
Glaze. Blue Fretwork Bands Inside and Out. 


TEA BOWL. 


Deep Corrugated Sides and Carved Fretwork Minute Floral Designs 
and Ribbon Festoons in Raised Enamels. 


TEA BOWL. 


Floral Specimens Outlined and Painted in Colored Enamels ‘on 


Yellow Ground. Five Bats Inside. 


LARGE DEEP. BOWL. 
Slightly Flaring Edge. Imperial Yellow Ground, with Floral De- 


signs in Incised Outline. Four Circular Reserves Painted with 
Beautiful Emblems. Panel and Border Inside. 


GOURD VASE. 


Brownish Yellow Glaze, with Decoration of Gourds on Vine in Green, 
and White Reserve, with Incised Outline. ? 


Tao-Kuang. 


Chia-Ching. 


Slab Specimen of Green Jade. 

Large Magnifying Glass, Metal Rim. 
Large Magnifying Glass, Mahogany Rim. 
Brass Candlesticks and Ornaments. 
Carved Stands for Balls, 2 Pieces. 
Reading Glass and Eye Shade. 


ILLUSTRATED ART WORKS, ETC. 
ALBUM OF PAINTINGS. 


On Rice Paper. Consisting of Twelve Plates of Historical Costumes. 
Quarto, Damask Binding. 


ANOTHER. : 
Consisting of Ten Plates Representing Baskets of Rare Flowers. 


ANOTHER. 


Specimens of Rare Flowers and Butterflies. Twelve Plates. 


234 


20 


First Afternoon 


ALBUM OF PAINTINGS. 


On Rice Paper. Customs and Costumes. Beautifully Bound in 
Cardinal Silk. 2 Volumes. 


HISTORY OF THE ART OF PRINTING. 


From Its Invention to Its Wide-spread Development in the Middle 
of the XVI Century. Preceded by a Short Account of the Origin 
of the Alphabet and the Successive Methods of Recording E:vents 


_ Before the Invention of Printing. By H. Noel Humphreys. _II- 


236 


237 
238 


239 
240 


24] 


242 


lustrated by One Hundred Fac-similes in Photolithography. Second 
Issue, Published by Bernard Quaritch, London, 1868. Folio, cloth. 


Catalogue of the Wm. B. Bement Collection of Art. Quarto, Full 
Morocco Binding. 

Engravings from British Artists. 

Barbizon Days. By Charles Sprague Smith. 8vo, Cloth. N. Y., 
1902. 

Paris Exposition Catalogs. 4 Vols. 

Catalogues of Foreign Galleries, Cathedrals, &c., 13 Pamphlets. 


- COLLECTION OF PHOTOGRAPHS. 
CABINET COLLECTION. 


Of European Landscapes, of Historical and Prominent Places 
Throughout Europe, as well as Many of the Paintings of the Old 
Masters from the Foreign Galleries. Several Hundred Plates 
Mounted on Folio Cardboard and Contained in a Large Six-drawer 
Cabinet. 


LARGE CARVED MAHOGANY CABINET. 


Beveled Plate Glass Fronts. Two Compartments—Upper and Low- 
er, with Open Shelf in Centre. 


” 


SECOND AFTERNOON’S SALE. 
TUESDAY, MARCH 11, 1919, 


AT 2.30 O’CLOCK 


Laces and Embroideries. 


AT 3.30 O’CLOCK 
Oil Paintings 


Second Afternoon 


262 


263 


LACES AND EMBROIDERIES. 
WHITE LACES. 


Small Valenciennes Medallion. 

Handkerchief, Original Pattern in Duchess Style. 

Point Lace Handkerchief. 

Very Fine Point Lace Collar. 

Cream Silk Spanish Lace Head Covering. 

Point Lace Handkerchief. 

Long Point Lace Scarf, with Broad Rounded Ends. 

Point Lace 10-inch Lace, 6 Yards Long. 

Point Lace Trimmings, 3 Odd Pieces. 

Fine Point Lace Shoulder Shawl, Medallion Patterns. 
Applique Head Piece. 

Applique Bandeaux. 

Fine Point d’espret Scarf, Pointed Ends. 

Point Thread Lace Strips, 3:/2-inch, 3 Pieces, 33/1 Yards. 
Large Duchess Lace Head Piece.: 

Large Duchess Lace Bandeaux. 

Duchess Lace 6-inch Strips, in 2 Pieces, 33/1 Yards. 

Duchess Lace 6-inch Strips, to Match, in 10 Pieces, 6 Yards. 
Duchess Lace 31/s-inch Strips, to Match, in 3 Pieces, 31/2 Yards. 


ORIENTAL EMBROIDERIES. 


LARGE WHITE SILK SHAWL. 


Chinese Embroidery of Floral Designs, Gorgeously Worked in 
Colored Silks and Gold Thread. Has Deep Net Lace and Fringe 
Border. Designs Finished on Either Side. 


LARGE CHINESE SILK EMBROIDERY. 


An Immense Hanging of Black Satin, Worked with Beautiful Speci- 
mens of Brilliant Birds and Butterflies in a Landscape of Elaborate 
Floral Designs. The Birds Represent the Peacocks, Pheasants— 
or Ho-ho Birds, with Long Way Plumage, Parrot, the Conventional 
Crane, Butterflies of Several Varieties and Are Worked in the Most 
Brilliant Colored Silks. The Floral Designs and Deep Borders in 


Bright-Gold Thread. . 
Size, 12:/2 Feet Long, 6 Feet Wide. 


264 
265 
266 
267 


268 


269 
270 
27| 
272 
273 
274 
275 


276 


Second Afternoon 


ANOTHER.: 
To Match. 


OLD INDIA SHAWL. 
White Ground. 


BLACK LACE FAN. 
Mounted on Smoked Pearl. 


WHITE DUCHESS LACE FAN. 
Mounted on Carved Wood. 


HANDSOME WHITE POINT LACE FAN. 
Mounted on Carved Pearl, with Classical Cut Medallion in Centre. 


BLACK LACES. 


Large Maltese Bandeaux, 18 Inches Wide, 91/2 Feet Long. 
Large Maltese Shawl. | 
Chantilly Bolero. | 
Chantilly 10-inch Strip (with Insertion), 8:/2 Yards Long. 
Chantilly Insertion, 2-inch, 31 Yards. 

Point 5-inch Lace, 6 Yards. 

Point 4-inch Lace, 6 Yards. 


LARGE SPANISH MANTILLA. 


_ Beautiful Pattern of Fine Black Lace. 


277 
278 


279 
280 


281 


Circular Front Dotted Veil. 


CHANTILLY LACE COAT. 
With Long Sleeves. 


Large Dotted Lace cone 27 Inches Wide, About 7 Feet Long. 


LARGE BLACK LACE SHAWL. 
Triangular Shape. 


BLACK 13-INCH LACE. 
10:/2 Yards. 


Second Afternoon 


282 Small Black Lace Diamond Shape Shawl and Neckpiece, 2 Pieces. © 
283 Large Black Lace Shoulder Piece. 

284 Large Sash, 31/2 Yards. 

285 - Large Collar. 

286 Collar, Tie and Pair Long Mitts. 

287 Black Lace, 14-inch, 4:/2 Yards Long. 

288 Black Lace, 5-inch, 12 Yards Long. 

289 Black Spanish Lace, 6-inch, 6 Yards. 

290 Black Lace, 7:/2-inch, 3 Pieces, 11 Yards. 
291 Black Lace, 4-inch, to Match, 4 Yards. 
292 Black Lace Veil. 

293 Black Lace Strips, &c., 9 Pieces, assorted. 


Second Afternoon 


PAINTINGS 
No. | 


MILNE RAMSEY 


AMERICAN 


Ws 


NATURE MORTE : spe ey be 4b Meni 


Height, 26 inches; width, 341% inches 


Upon a table lies a large lobster and beside it, a kettle, a copper measure, 
a funnel, a bunch of celery, a glass of salt and a number of vegetables. 


Signed in lower left. Dated 1889. 


No. 2 
He LicROEFE 


SALMON AND TROUT 
Height, 1814 inches; width, 2814 inches. 


The fisherman’s kit, well filled, rests upon the moss-covered rocks of a 
sloping ravine. Beside it lie two large salmon, while near them is the 
angler’s leather fly book and a loose snooded fly. 

Signed in lower right. Dated 1869. 


No. 3 
DAVID DE NOTER 


STILL LIFE 
_ Height, 121% inches; width, 934 inches 
The family marketing stored in the pantry of an old manse. A big hare 
lies half upon the tiled floor, near an old table. Next is a jardiniere filled 


with fruit, a basket of grapes, a stalk of celery and some greens and stand- 
ing upon the table is a vase of flowers, a tub and a large knife. 


Signed in lower left. 


fo. = 


Second Afternoon 


No. 4 
H. L. BODDINGTON 


AMERICAN 


TALLY-LYNN, NORTH WALES 
Height, 19 inches; width, 36 inches 


A view of the lake, with the mountains rising against a rolling bank of 
clouds. In the foreground is a stretch of rokcs, a fisherman and a girl 
sitting among them, with cattle grazing in the distant meadows. 


No. 5 
DON VINCENTRE PALMAROLI 


SPANISH 


A FRENCH WATERING PLACE 
Cradled panel: height, 20 inches; width, 23°inches 


A woman sitting upon the beach, her parasol partly hiding her and the 
paper which she is reading. In the distance children are seen racing along 
the sand. | 


Signed in lower left. 


No. 6 
MARTIN DE VOS 


DutcH 


THE ESCAPE 
Height, 20 inches; width, 291% inches 


A stable interior with three dogs hunting a rat w hich has slipped past them 
beneath the old wooden chest, from the top of which the black dog is 
anxiously watching, while upon the brick tiled floor a white terrier lowers 
his head to see beneath the chest; standing to his left is the sheep dog. - 


Signed in lower left. 


No. 7 
LOUIS GEORGES BRILLOUIN 


FRENCH Af rd §? 


SPANISH BARRACKS 
Height, 13 inches; width, 1814 inches 


In the outer chambers of an old Spanish castle, groups of cavaliers are 
assembled, several about a large table in the foreground, watching with 
much interest a young recruit being uniformed by the Quartermaster. 
In the middle distance, beside a large archway, is a group of three men 
conversing. Beside them sits a large hound and at the extreme right are. 


two men, one playing a mandolin. 
‘ Signed in lower left. 


No. 8 
-DE BEUL, JUNIOR 


BELGIAN 4 y 


| CHICKENS 
Panel: height, 141% inches; width, 2134 inches 


In the yard outside an old rough-cast barn many chickens are feeding. 
A ray of sunlight half falls across the stable door, which is partly shaded 


by the branches of an ‘old tree. 
Signed in lower left. 


No. 9 
WOUTERUS VERSCHUUR 


Durcu: 1821-1874. : v4 7 a, 
FEEDING TIME 
Panel: height, 534 inches; width, 71% inches 
A white horse standing in a stable. Facing the front of the stall a boy 


stands leaning on the manger. 
Signed across beard on manger. 


Second Afternoon 


No. 10 
EUGENE VERBOECKHOVEN 


VO. ee BELGIAN: 1799-1881 


SHEEP 
Panel: height, 6 inches; width, 81% inches 


Reclining on the straw strewn ground just outside the stable door are two 
sheep and a lamb, the sunlight falling from above illuminating their thick 
coats of wool. 


On the back of the panel is a certificate of authenticity, signed by the artist. 


No. 11 


6, L. EUGENE LAMBERT 
/). —_ FRENCH: 1825. 


AN UNWELCOME GUEST 
H eight, 32 inches; width, 391% inches 


A terrier stands watching over his dish of bones. Two household cats are 
nearby, one of them sniffing the contents. The terrier, snarling and ill 
at ease, betokens trouble at any further encroachment. 


Signed in lower right. 
No. 12 


fe 74 ue a ALFRED STEVENS 
BELGIAN: 1828-1906 


Uy, K. xX t | FAREWELL 


Height, 48% inches; width, 361% inches 


On a balcony overlooking the sea in sight of a steamer putting off in the 
early moonlight sit a mother and son. The woman’s head is in profile, 
looking to the left. Her left arm is thrown across the shoulders of the 
dark-haired boy, dressed in blue, sitting beside her. The moon is up, 
casting a silvery ray on the ripples and lighting the group. 


Signed in lower left. 


Second Afternoon 


No. 13 
EDWARD MORAN /bp — 


AMERICAN 


OCEAN WAVES—1871. Khanté 7K. ane 


Height, 24% inches; width, 421% inches 
The ocean under a heavy sky of dark, rolling clouds brightening into a 
grey, hazy horizon, casting about the wreckage of a life boat, about which 


sea gulls hover and glide in search of prey. 
Signed in lower left. 


No. 14 


DE NITTIS VE 70. _ 


ENGLISH 


AFTERNOON IN HYDE PARK Blogg x br appar 


Height, 43 inches; width, 72 inches 


The straightway above the bridge at the bend of the river. From the 
shade of four trees at the edge of a grove the scene widens. On the right 
is the river bank, with sheep grazing and enlivened by many figures, while 
on the river boats are moving. Beyond, the landscape fades into the 
distance. A torrid sky with mottled clouds casting shadows on the water 
gives a brightness to the scene. 

Signed in lower right. 


No. 15 /b 0. ~ 


GUSTAVE JACQUET 
 -Frencw: 1846-1909 va i, 4 
. pan 
FORTY WINKS } lyersen’ 
Panel: height, 16 inches; width, 1244 inches 


The figure of a young woman gowned in silk sitting in a large arm chair of 
gold and blue tapestry. A book is held in her right hand and her head 
has fallen listlessly to the left, showing the profile of the face, the strong 

light falling upon the clear flesh tints of the face, bust and half-exposed 
arms. The details of the background are beautifully executed. 


Signed in lower left. 


b/f ~ 


Second Afternoon 


No. 16 


GUSTAVE JACQUET 
FRENCH: 1846-1909 


= 
a 
Neha thd BETSY 
Panel: height, 1214 inches; width, 914 inches 


Keg. — 


An ideal portrait of a young woman whose face displays the charm of 
rounded features and radiant color, resplendent with the bloom of youth. 
The head is in profile, turned to the right and inclined slightly backward. 


Signed in upper left. 
No. 17 
MARTIN RICO 


Vn fa abriehe SPANISH: 1850-1908 


As 5 


THE ISLAND OF BILLANCOURT 
Height, 151% inches; width, 231% inches 


A landscape of the Seine near St. Clouds. The tiny island, the quiet 
reach of deep water below, the background of solid woods, is all varied 
depths of green, the monotone being relieved by the coloring in the neers 
of a woman in the foreground and the masses of clouds above. 


:: Signed in lower left. Dated 1864. 
SEE ILLUSTRATION. 


No. 18 


CESARE DETTI 
ITALIAN: 1850 


Wy wi Wd | A LIE 


Cradled panel: height, 12 inches; width, 16 inches 


The poses of the principals and the onlookers ih a game of dice afford a 
splendid opportunity for the display of the characteristic technique of the 
artist. Astride a bench in a garden, two Cavaliers sit playing at dice. 
Alongside stands a young maid with tray in hands. Through the open 
gallery in the background other figures are sitting and moving about. 


Signed in lower right. Dated 1881. 
SrE ILLUSTRATION. 


No. 16 


No. 17 


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No. 20 


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Second Afternoon 


No. 19 


__ JULES DUPRE A bg pee 


FRENCH: 1812-1889 


IN THE MEADOW LANDS Playp x tia. 
Height, 13 inches; width, 2034 inches 3 


A landscape of low-lying meadows with the hazy atmosphere blending 
distant objects into a vague mass of form and color. In the middle setting 
a house with high thatched roof among a group of rambling out-buildings, 
shaded by bushy shrubbery, with a pool of water in the foreground. Be- 
yond stands the windmill and in the distance, the vague shadow of another 
among low, rising hills. 

Patches of blue sky appear through a mass of white, rolling clouds, fading 


into grey mist on the horizon. 
Signed in lower right. 


No. 20 


JEAN LEON GEROME J 7 es 
FRENCH: 1824-1904 


AN ARABIAN STEED dd bi xX LD 


Panel: height, 211% inches; width, 1734 inches 


In an Oriental street a horseman is displaying the qualities of an Arabian 
steed to a group of three men, who stand on the opposite side. . The horse 
steps with head erect, led by the man afoot. A man leaning from an open 
window above is watching with intent interest. The figures are superbly 
draped in Oriental costumes, and the architectural surroundings add much 


to the charm and detail. 
Signed on side of doorway, centre. 


Snr ILLUSTRATION. 


Second Afternoon 


No. 21 


Z / ali eae NARCESSE VIRGILE DE LA PENA DIAZ 
FRENcH: 1807-1876 


bhp x 4, a Lo IN THE FOREST OF FONTAINEBLEAU 


Height, 26 inches; width, 22 inches 


The mighty trees of a dense forest silhouetted in picturesque lines against 
a heavy sky, their gnarled and twisted trunks and distorted branches 
reaching from below, where a pathway leads through boulders and thick 
brush to a clearing nearby, through which come rays of light to brighten 
the erstwhile gloom, finding its way from rock to trunk and partly glisten- 
ing in a narrow, running brook amongst rocks. Where the forest is the 
thickest, the figure of a woman can be seen bending over a bundle of fagots. 
The sun casts a vivid ray through massing clouds, which, except for a 
- single patch of deep blue, cover the sky. 


Signed in lower left. 
SEE ILLUSTRATION. - 


No. 22 


4 f Wh, Paes ADOLF SCHREYER 
Np K to - GERMAN: 1828-1899 
ty Veo © 


BEDOUIN ARABS 
Height, 48 inches; width, 75 inches 


A battle scene on the desert. In the foreground, two Bedouin soldiers, 
one supporting his wounded comrade, are making their way in flight, their 
_ horses close together. In perfect unison men and horses seem to leap 
over the matted ground. Through the smoke-beclouded distance, tribes 
of horsemen are massed, rearing, plunging and riding in to a hand-to-hand 
fight. The main figures are most spirited and in the artist’s best style, 
displaying that quality of action for which he is so noted. 


Signed in lower right. 


Gafed /$G8 


SEE ILLUSTRATION. 


No. 21 


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No. 24 


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Second Afternoon 


No. 23. 

CHARLES EMILE JACQUE 4 G09. 
FRENCH: 1813-1894 

SHEEP ENTERING THE BARN u mi v4 ar Ww 


Height, 26 inches; width, 21% inches 


With the falling of the evening shadows, the shepherd and his flock return 
and as he patiently stands by, they crowd through the narrow doorway 
beneath the thatched roof of an old stone barn, while the shepherd’s dog 
stands watch at the opposite end. In the foreground are two hens, and, 
in a high window beside the door, another is preparing to roost. The sun 
has set and the silvery rays of the rising moon glisten through the towering 
tree across a patch of blue sky at the left. 


Signed in lower left. 
SEE ILLUSTRATION. 


No. 24 


EMILE VAN MARCKE 4 Ms fe 
FRENCH: 1827-1890 


CATTLE Beles 


Height, 221% inches; width, 3314 inches 


A green meadow, sunny and level, is bounded by a woods on the left. 
Occupying the centre of the foreground are two cows, one white, the other 
a deep red, with white face and feet. The soft blue of a summer sky, the 
hills and trees with cattle pasturing in the distance form a beautiful back- 
ground for a characteristic example of this artist’s work. 


Signed in lower left. 
SEE ILLUSTRATION. 


Second Afternoon 


No. 25 
JULES DUPRE: 


/414.— 
FRENCH: 1812-1889 


J hy AFTERNOON IN THE HOLLAND MEADOWS 
Height, 18 inches; width, 22 inches 


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A rich, verdant lowland pasture broken in the foreground by a winding 
stream, with cows resting on the banks. In the middle distance, near the 
woodlands, cattle graze, and clumps of trees give shade and color to a land- 
scape rising in the distance to a line of blue rolling hills. The sky is over- 
cast with masses of rolling clouds, through which the sunlight is breaking. 


Signed in lower right. 
SEE ILLUSTRATION. 


No. 26 3 


4 5h. — _ MIHALY MUNZKACY 


HUNGARIAN: 1846-1900 


JM. kh. x 6 : IN THE FOREST FONTAINEBLEAU 


Height, inches; width, %& inches 


A rough roadway scores a broad space of flat, mossy green ground, running 
far into the distance between rows of ancient trees, whose boughs complete- 
ly arch the road. Besides these many others at varying distances fill the 
landscape until, far down the roadway and past a sunlit clearing, the edge 
of the wood beyond comes into the view. A man clad in a blue coat 
saunters quietly along the road and here and there wild flowers give a 
touch of brilliant color. 

On the left, the scene turns to an open landscape while here and there 
the clear blue of the sky is caught through the dense foliage. 


Signed in lower right. 
SEE ILLUSTRATION. 


No. 25 


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No. 26 


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Second Afternoon 


No. 27 
A. SAVINI 


THE BELLE OF POMPEII 
Panel: height, 1 11% inches; width, 934 inches 


With smiling face toward the spectator, sits a beautiful young woman, 
her left arm thrown back over the seat, while her right holds a brazen 
chalice. The ray of light from above heightens the flesh tints and tresses 


of flaxen hair. 
Signed in lower left. 


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